[BC] Radio's Influence on Music Sales
Rich Wood
richwood at pobox.com
Wed Sep 17 08:21:49 CDT 2008
------ At 11:02 PM 9/16/2008, Dan Kelley wrote: -------
>I don't doubt that at all; however, there is a vast difference in the
>attention given to stations that report or are monitored by R&R for the
>charts and those that are not. I was fortunate, even in market 121 (now
>125) to be a reporter...and therefore had the attention of the promo
>people.
I don't mean to upstage you but I was an AC reporting station at
WPIX-FM for R&R in Market #1, New York. I would get appointment
requests for as many as five promo people a day. Others would just
show up and expect to rearrange my day. Liz Kiley at KOST, Los
Angeles, and I could guarantee a song would make the AC chart if we
played it, just by virtue of the size of our markets. Since that made
the charts useless to us I suggested to Mike Kinosian that he greatly
increase the number of reporting stations. He did it and made the
chart much more representative of all size markets.
I started to play Smooth Jazz on WPIX mixed with AC and established
the relationships with Jazz labels. This was before they did what I
suggested and made a format out of it as WQCD. Jazz labels were so
desperate for airplay that even more promo people came out of the
woodwork. It's interesting that my utterly useless consultant who
fought playing Jazz on the station is now taking credit for it. A
friend of mine worked at a station in Connecticut consulted by this
guy and was told he was the genius who started it. My friend
confronted him in front of management. When he mentioned my name the
consultant turned white. He was caught in a lie. That's not relevant
to promo people but it's a heartwaming story for me.
I'm sure only the largest markets get record company attention today.
Rich
Sent from my Blackberry invented by John McCain
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