[BC] Optimod 9000-vs-9100
Robert Orban
rorban at earthlink.net
Sat Oct 10 00:33:41 CDT 2009
At 09:30 PM 10/8/2009, Broadcast List USER wrote:
>Frankly, the original 9000 (which my AM used) was abusive on AM radio
>too. It just had too much HF boost. (Sorry, Bob, but that is just my
>opinion.) I don't blame this on Orban, but rather on the AM radio
>manufacturers, especially those who made car radios. They rolled off
>the high end so much, that the high end boost was the counter-attack.
>It was a bad time in audio.
>
>Then again, the 9000 did cut through the radio in my Ford Fiesta.
If you extend the concept to consumer AM radios in general, that was the point.
> It was typical of the era (1984). The stock radio just rolled off the
>high end in the extreme.
>
>That brick for the air monitor actually had too much high frequency
>attenuation. I ended up using an external EQ, and it sounded good.
Our passive rolloff filter for the air monitor's response was
carefully synthesized to emulate the average AM radio response that
we measured in the early '80s based on about 20 radios. It turns out
that it was almost identical to the results of the 2006 NRSC AM radio
frequency response measurements -- very little had changed in 20
years. Once again, the point was to help broadcasters get a sound
that would complement the typical radios their listeners were using.
The rolloff filter was intended to be useful to set up a reference
environment for adjusting the processing. Its main limitation was
that real radios tended to roll off more abruptly than the filter
above 5 kHz -- the filter's rolloff was 18 dB/octave.
The rolloff filter had an adjustment that allowed you to limit the
amount of rolloff to your taste by inserting a shelf at higher
frequencies. When you dialed in more highs like this, the filter no
longer emulated a typical radio. However, the adjustment retained the
most important aspect of the typical radio's "sound" -- the fact that
the rolloff was typically down 3 dB at 2 kHz.
If the goal was to make something that sounded "pretty" in the
control room for the talent, then a graphic equalizer would work as
well as anything else. But it is unlikely to be useful as a reference
environment for adjusting the processing.
Bob Orban
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