[BC] Early FM Growth. Its Cause
Donna Halper
dlh
Mon Feb 12 22:49:20 CST 2007
>it was said--
>I really don't think anyone especially overly horny teens thought
>about sound quality. If you listened to FM it was for different
>content or because it extended the hours of daytime AM stations.
My recollection is that AM had become boooooring. 18 minutes of
commercials, too much talk, too many of the same songs over and
over. The country was changing-- the women's movement, civil rights
movement, Viet Nam, and there were lots of baby boomers who were no
longer teeny boppers-- they were now in college.... yet AM top 40 was
stuck in the 50s, which was great for the 50s, but not so great for
the changes taking place in the mid to late 60s. Also, the music
scene was changing too-- album cuts by a lot of new bands who were
not interested in top 40, songs that were like poetry (early Dylan,
Simon & Garfunkel, etc), songs that were not 2 minutes and 52 second
long, movements like folk/rock and psychedelia... songs that
protested the escalating war... and top-40 didn't know what to do
with any of it. When the FCC had ruled that AM stations could no
longer simulcast on their FMs and they had to come up with original
programming, a lot of young adults with a desire to hear new music
and a frustration at the restrictions of AM top-40 started trying to
get all the new music heard on FM, where long songs were just fine
and controversial lyrics were too (as long as you didn't drop the F
bomb). There was already a fledgeling experiment with "free form
progressive" (later re-named Album rock) in New York and San
Francisco on FM, and it was just a matter of time before that new
format (and later, others like urban/dance music) spread to other
cities. FM provided something new and interesting. Who knew that
eventually it would lose its uniqueness and no longer be cutting edge?
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