[BC] Turntables (WAS:Achieving good S/N)
Robert Orban
rorban
Tue Jan 3 22:38:39 CST 2006
At 06:56 PM 1/3/2006, you wrote:
>From: "Dennis Cope" <dcope at intercom.net>
>Subject: RE: [BC] Turntables (WAS:Achieving good S/N)
>To: "Broadcast Radio Mailing List" <broadcast at radiolists.net>
>Message-ID: <FHEKLNBJMBMGGGEECFCJOEHNEEAA.dcope at intercom.net>
>Content-Type: text/plain; charset="US-ASCII"
>
>
>Opinions needed.
>
>Stanton ST-100 High-Torque Turntable with S Tone Arm or,,, Stanton ST-100
>High-Torque Turntable with straight Tone Arm??
IIRC, it does not make the slightest difference in tracking error as long
as the distance between the pivot and the stylus is equal in both arms and
as long as the cartridge mount allows you to readily adjust the cartridge
azimuth. The only thing that counts is the azimuth angle of the
stylus/cartridge motor with respect to the arm pivot, which allows for zero
tracking error at two (and only two) discrete points on the record. There
is some disagreement as to where to place those points (should the mean
square tracking error be minimized over the entire record, should the
maximum tracking error be minimized [minimax error], or should the error be
minimized at the inner grooves, where tracking distortion is more likely to
be audible?). Once you decide that, the rest of the design just involves
plugging numbers into some long-established equations, which I believe were
first published in the AES Journal.
I would expect the two designs to have different resonant characteristics,
however. This is important; it is one important thing that distinguishes
one arm design from the next.
Bob Orban
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